There are currently 412 names in this directory
A portion of an opera or musical designated by the composer, which has a dramatic structure of its own.
Giving a particular note or phrase more stress than the ones before or after it. Italics do it in print, accents do it in singing. To be effective in solo singing, accents must usually be subtle.
Describes the process of a singer first hitting a note, as in “his attack on that high C was too harsh,” or “her attack at the beginning of the song was very gentle.”
When the notes of a chord are played quickly, one after another. Usually used as accompaniment for a song, for example, broken chords most commonly on the 1st, 3rd, 5th and 8th notes of an octave.
In classical music, a song not from an opera, but sung in classical style. Art songs were created primarily for concerts.
Ability to determine the exact pitch of a note as played on a musical instrument just by listening to it.
Any of various signs that indicate the alteration of a note by one or two semitones or the cancellation of a previous sign.
Ad Libitum (Ad Lib; Latin)
At liberty; the performer decides how to sing or play the respective section or notes
Common term used to describe the part of the larynx (voice box) which protrudes from the front of the neck. More noticeable in men than women.
An agent who represents artists by publicizing their talents, finding roles for them, negotiating their contracts and handling other business matters for them.
A specific number of musical sounds that are organized within a measure, and that are contained within two solid lines called bar lines.
The lowest of the male singing voice, with a range of the second E below middle C to the first E above middle. In serious or dramatic opera, low voices usually suggest age and wisdom; in comic opera, they are generally used for old characters.
A small group of instrumentalists who play either on the stage or backstage, not in the pit, often as part of a crowd or military scene.
Literally, a form of applause when shouted by members of the audience at the end of an especially pleasing performance. Strictly speaking, “bravo” is for a single man,”brava” for a woman, and “bravi” for a group of performers.
The sudden change in tone between the head and chest voice, caused by vocal tension. When a singer hits his or her break, there may be a “popping” sound, or some other sound that is jarring and ugly. This can be avoided with good vocal technique.
From the Italian for “buffoon.” A singer of comic roles (basso-buffo) or a comic opera (opera-buffa).
A transitional passage that connects 2 sections of a composition or song. Usually placed after the chorus of a song. The term bridge is also used to describe moving from one voice register to another. eg chest voice into head voice.
Time period in music history ranging from the middle of the 16th to the middle of the 17th centuries. Characterized by emotional, flowery music; written in strict form.
Originally a term applied to female voices only: “This is a loud, driving sound that is produced by pushing the natural chest register beyond its normal limits. Although the original terminology didn’t include men, male singers can also belt.
The male mid-range singing voice between bass and tenor, with a range that extends from the second G below middle C to the first G above middle C.
A term used in choirs in order to make a group of singers sound like one voice, as opposed to lots of individual voices. This is done by encouraging singers to listen to each other and modify their voice accordingly to sound like what is being produced by everyone else.
A symbol placed on the fourth line of a staff to indicate that the fourth line of the staff corresponds to the F next below middle C; F clef.
Singing that focuses on beautiful sound. An Italian phrase literally meaning “beautiful singing.” A traditional Italian style of singing that emphasizes tone, phrasing, coloratura passages and technique. Also refers to opera written in this style.
A stylistic technique where the singer is either ahead or behind the beat, on purpose. Jazz singers typically use this technique, as do some pop singers.
Efficient use of the singer’s stream of breath, controlled primarily by the diaphragm.
A chord in which the notes are not played simultaneously at once, but in some consistent sequence. Notes are played either consecutively one after another, or 2 notes by 2 notes in a specific order.
In sheet music, a symbol at the beginning of the staff defining the pitch of the notes found in that particular staff. Most common clefs are the treble and bass clef.
Musical form where a melody or phrase is imitated by individual instrument or voice parts at various intervals of the song. The melody or phrase may be repeated backwards, inverted, or even at various tempos.
The name given to an understudy in opera; someone who replaces a singer in case of illness or other misfortune.
A group of singers, singing together, who sometimes portray servants, party guests or other unnamed characters; also the music written for them.
A group of people hired to sit in the audience and either applaud enthusiastically to ensure success or whistle and boo to create a disaster. In past years, leading singers were sometimes blackmailed to pay a claque to insure that claqueurs would not create a disturbance. Even now, a claque is sometimes used but rarely acknowledged.
A musical term referring to a chord sequence that brings an end to a musical phrase either in the middle or the end of a composition.
Initially an improvised cadence by a soloist; later becoming an elaborate and written out passage in an aria or concerto, featuring the skills of an instrumentalist or vocalist.
Everything balanced, working as one. Getting the greatest amount of power from your voice, using the least amount of effort.
A hymn sung by the choir and congregation. Originally refers to a German Protestant hymn tune. In composition, it typically means a choral composition for voices or instruments, such as a Bach chorale. The word “Chorale” is also sometimes used as the name of a choir or chorus.
A short and simple melody performed by a soloist that is part of a larger piece. It now usually refers to the opening, slow section of a two part aria.
A composition written for a solo instrument. The soloist plays the melody while the orchestra plays the accompaniment.
The period of music history which dates from the mid 1700’s to mid 1800’s. The music was spare and emotionally reserved, especially when compared to Romantic and Boroque music.
The leader who directs a group of performers. An accomplished musician with a strong sense of rhythm and an in-depth understanding of the voice and instrument, the conductor indicates the tempo, phrasing, dynamics, and style by gestures and facial expressions. Sometimes called Maestro.
A speech sound produced as the result of a temporary partial or complete constriction of airflow (b d f g l etc.).
Lowest female classical singing voice part. Often known simply as “alto.”with a range extending from the F below middle C to the second G above middle C.
Written for 2 to 10 solo parts featuring one instrument to a part. Each part bears the same importance.
The lower notes of a singer’s range; in the same general range as the speaking voice. When singing in the chest voice, the vocal cords become naturally thick, and the resulting sound is generally associated with deep, warm tones. Also known as chest register.
The voice-pedagogy term that is used universally to refer to the balancing of the light or clear (chiaro) and dark (oscuro) aspects of timbre, or balancing tonal brilliance and depth of the resonance.
The one in charge of choosing chorus members and rehearsing them for performance. If there is a backstage chorus, it is usually conducted by the chorus master who is in communication with the conductor of the orchestra.
A musical scale that includes all the notes within an octave, including sharps and flats. Total of 12 distinct notes within a chromatic scale.
The period of music history which dates from the mid 1800’s and lasted about sixty years. There was a strong regard for order and balance.
Elaborate ornamentation of vocal music written using many fast notes and trills. Can also refer to a Soprano voice suited for such colouration or ornamentation.
A type of comic opera popular in Italy in the 16th to 18th centuries that involved improvisation using stock characters and gestures. The characters were often masked to represent certain archetypes.
The time signature of 4/4; four beats per measure, each beat a quarter note (a crotchet) in length. 4/4 is often written on the musical staff as ‘C’.
A large ensemble of soloists and chorus generally found in the second movement of a central finale, to which it forms the lyrical climax.
Highest male classical singing voice part with an elevated range. With training and practice this higher range, similar to that of a woman’s alto, becomes the natural voice.
At the end of a performance, all of the members of the cast and the conductor take bows. Sometimes this is done in front of the main curtain, hence the name curtain call. Often, however, the bows are taken on the full stage with the curtain open.
Dal Segno: This is a repeat mark found on sheet music It may mean: Repeat from the Dal Segno sign.
Piece of music written for two vocalists or instrumentalists. They may or may not sing simultaneously or on the same musical line.
Dull, monotonous tone such as a humming or buzzing sound. Also a bass note held under a melody.
An instruction to repeat from the beginning of the piece and ending on the final chord of the song.
The clear pronunciation of words. This requires attention to both consonants and vowels. Different types of music may require more or less diction; for example, in musical theatre, it’s essential that the audience understand the lyrics, but in jazz or blues, the singer may occasionally slur words on purpose in order to achieve a desired sound. Good diction helps produce good sound, however, so all singers should pay attention to it.
One who prepares an opera or play for production by arranging the details of the stage settings and stage effects, and by instructing the performers in the interpretation of their roles.
The first beat in a measure as conducted by the leader of an ensemble is called the downbeat.
As in a “dramatic soprano,” “dramatic tenor,” etc. A type of singing that is heavier than “lyric,” often accompanied by more focus on acting than on making a “pretty” sound.
Loudness or softness of a song. Also refers to the musical terms or symbols defining volume in a song.
The dome shaped muscle attached to the bottom of the lungs that separates your chest and stomach cavities. Its main function is to initiate inhalation.
Dal Segno al Coda
Repeat from the D.S. sign and continue until directed to move to the Coda, a separate ending section,
A chord progression that seems to lead to resolving itself on the final chord; but it does not.
Harsh, discordant, and lack of harmony. Also a chord that sounds incomplete until it resolves itself on a harmonious chord.
An aria which consists of two parts. The first part, or cavatina, is usually slow and the second, or cabaletta is faster. There is often recitative between the two sections.
A final rehearsal that uses all of the costumes, lights, etc. While sometimes it is necessary to stop for corrections, an attempt is made to make it as much like a final performance as possible.
A musical composition written solely to improve technique. Often performed for artistic interest.
Additional song(s) played at the end of a recital responding to the audiences enthusiastic reaction to the performance, shown by continuous applause after the last song of a concert or performance.
In singing, a device (a note or sequence of notes sung in a certain manner) used to condition and/or strengthen your vocal muscles to work with the proper airflow.
Two notes that differ in name but refer to the same pitch. For example, C sharp and D flat.
The leaf-like cartilage that separates the functioning of your oesophagus (channel to stomach) from the functioning of your trachea (channel to the lungs).
The first section of a movement written in sonata form, introducing the melodies and themes.
Atonal and violent style used as a means of evoking heightened emotions and states of mind.
A symbol indicating that the note is to be diminished by one semitone. For example, if we have the note D and we add a flat to it the note now becomes D-flat or D♭.
A composition written for three to six voices. Beginning with the exposition, each voice enters at different times, creating counterpoint with one another.
Singing that is forced may sound strained, and is accompanied by unnecessary tension in the throat.
A symbol that tells the performer to hold a tone or rest for as long as they like, beyond the written note value. It is usually referred to as a pause.
It means False Singing. In male singers, a high register (actually, sung in the female range) similar to the head voice. It has a Minnie Mouse Sound about it. However, unlike the head voice, falsetto cannot blend with the chest voice. Female’s can also sing in a falsetto range.
As loud as a person can sing without creating imbalance between airflow and vocal cord tension. Also refers to a tone that has a balanced resonance quality.
Singing or chanting in unison without strict rhythm. Collected during the Reign of Pope Gregory VIII for psalms and other other parts of the church service.
A pleasing combination of two or three tones played together to create a pleasant sound or musical effect in the background while a melody is being played. Harmony also refers to the study of chord progressions.
The vibration of a soundwave which is bounced around the structures of your head such as sinuses, nasal cavities and mouth to create a better sounding note. Head voice is usually associated with lighter, brighter and higher notes.
The higher part of the vocal register, which resonates around the structures of your head such as sinuses, nasal cavities and mouth. Head voice is usually associated with lighter, brighter and higher notes. Falsetto is also resonated in head voice.
For performances, the person who is responsible for the audience and all that happens from the entry to the theatre, to the box office, to the seating and audience behaviour in the hall.
The situations, people, or emotions a singer pictures in his or her head while they sing, in order to achieve emotion and a good level of acting in their songs. Imagery may also be used to help a singer achieve better vocal technique.
Instrumental music played between scenes in an opera, musical or play. Can also refer to the music break in a song when the singer does not sing.
A chord that is not played with the root note at the bottom, but with the other notes of the chord taking the bass position
A break, usually of about 20 minutes, between the acts of an opera, musical or show, during which the audience is free to move around.
A music entertainment where the singer sings along to a pre-recorded track and follows the lyrics on a video screen.
A group flats and sharps at the beginning of a piece of music, indicating the key or pitch of music the piece is to be played.
This is a very short solo that is performed to a complicated and fast melody during a little break in the song. During the battle rounds, it was basically when one singer would break off from the song and do a proper fancy technical bit and then return to the normal song.
The structure at the top of your trachea (windpipe) made up of cartilages, ligaments and muscles. Inside, attached from front to back are your vocal cords. Outside of the larynx sits your thyroid gland. Certain muscles of your larynx affect the tension of your vocal cords as they work with air from your lungs in producing vocal sound.
Word to indicate that the movement or entire composition is to be sung or played smoothly as though all the notes were tied together.
The seventh note of a scale where there is a strong desire to resolve on the tonic (the first note of the scale).
One who designs and coordinates the light changes that help create a show’s overall effect. Much of this is now computerized.
A mix between head and chest voice. Also known as middle voice. It is where we mix the elements of head and chest voice to create a better sound. Think of it as adjusting the balance of treble and bass on your sound system and is achieved by resonance and voice placement.
One of 2 modes of the tonal system. Music that is written using the major key has a positive or happy character.
One of 2 modes of the tonal system. Music that is written using the minor key has a negative or sad character and can be identified by the dark, melancholic mood.
The way notes of a scale are arranged within the character of the mode. The two main modes in modern music are major or minor. The other modes used in music theory are: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian.
Musical term referring to using passages from the various songs of a composition, that are performed one after another forming one complete song of its own. It is often used in overtures.
When a singer chooses to sing half-voice for a rehearsal, A full-length opera is very hard on a singer’s voice so many mark during rehearsals.
A measurement of time in music that contain a specific number of pulses within a bar as defined by a time signature eg, in 4/4 time, a measure has 4 crotchet beats to a bar.
The singing of a single syllable of text whilst moving to several different notes in succession.
A secular vocal music composition of the Renaissance and early Baroque eras. Traditionally, madrigal were unaccompanied. The number of voices varies from two to eight, and most frequently from three to six.
A large unit within a symphony or concerto. It usually is comprised of many themes or musical ideas.
In a technique which originated with the French; short passages of music alternating with spoken words.
A mechanical or electrical instrument that makes repeated clicking sound at an adjustable pace. Used for marking rhythm in practicing music.
An opera in which there are many magical effects and often animals appearing on stage. Often the plot of a magic opera involves the rescue of one of the major characters."
A diatonic scale with notes separated by whole tones except for the 3rd, 4th, 7th and 8th.
The second highest female classical singing voice part, just below the Soprano voice, extending from the A below middle C to the second A above middle C.
Middle voice is where we mix the elements of head and chest voice to create a better sound. Think of it as adjusting the balance of treble and bass on your sound system and is achieved by resonance and voice placement.
Musical phrasing is the manner in which a musician shapes a sequence of notes in a passage of music, in order to express an emotion or impression. A musician accomplishes this by deviating stylistically from the sheet music—altering tone, tempo, dynamics, articulation, inflection, and other characteristics.
A symbol in sheet music that returns a note to its original pitch after it has been augmented or diminished.
A type of polyp on the vocal cords that prohibits good singing. When vocal cords get irritated (from fatigue, poor technique, an infection, etc.), they swell. Singing repeatedly with swollen vocal cords causes nodes. The only way to know if you have or are developing nodes is to go to a throat specialist (ENT). If you have frequent hoarseness or a constant sore throat, see one immediately. Treatment is usually rest, although surgery may be required in severe cases. Also known as Nodes.
An opera composed of individual numbers, such as recitative, arias, duets, ensembles, etc. Between the numbers there is often a chance for applause. Most of the operas of Mozart, Rossini and Bellini can be called number operas.
Convenient method of numbering a composer’s works where a number follows the word “opus”. For example, Opus 28, No. 4. Often the opus numbers are assigned in order of composition, but at times the numbers are assigned by order of publication.
A drama where the words are sung instead of spoken. In opera, singing is the way characters express feeling; as it often takes longer to say something in music than it would in speech, the action may seem delayed or even interrupted. Like a play, an opera is acted out on a stage with performers in costumes, wigs and makeup; virtually all operatic characters sing their lines, although there are exceptions for a role that is spoken or performed in pantomime.
The interval between two musical notes, the upper one of which has twice the pitch of the lower one. In a major or minor scale, the distance of this interval lies eight steps away, hence the term “octave.”
A short light, sometimes comical musical drama, some of which is spoken but with many musical numbers.
A large group of instrumentalists playing together, led by the conductor, accompany the singers.
The art of applying orchestral colour to written music by assigning various instruments different parts of the music. This requires a complete knowledge of instrumentals and their timbre, range, etc.
Taking a huge breath in and then constricting the lungs, making it difficult to sustain a note.
Harmonic singing from the throat, in which the singer manipulates the resonances created as air travels from the lungs through the vocal cords and out of the lips to produce a melody.
Abbreviation for Piano Vocal Score. It is a sheet music of a song which comprises of a vocal line and the treble and bass lines for piano accompaniment.
Abbreviation for Piano Vocal Guitar Score. It is a sheet music of a song which comprises of a vocal line and the treble and bass lines for piano accompaniment and also the guitar chords or tablature.
To engage the piano or keyboard pedal and cause the respective notes or chords to sound for a longer duration
The frequency of a note determining how high or low it sounds. It can also refer to being “on” or “off” pitch. This means the singer is either singing in tune or is off by being singing too sharp or flat.
A “patter song” is one with many lyrics sung rapidly. Patter also refers to the brief periods in-between songs where a singer talks to the audience.
To help a singer remember lines, some opera houses will place a person (prompter) in a box below and at the very front of the stage.
A short introduction that leads into an act without a break. However not lengthy enough to be considered an overture.
Essential in singing to give life and expression to your sound, instead of it sounding monotonous or robotic. Phrases are formed through different inflections extremely similar to natural speech, however these may vary slightly depending on the genre or style of music being sung.
A singing technique that uses the sensation of vibrations in the head to achieve healthy sound that resonates and carries well. Most healthy singing is done in what is often referred to as “forward placement” (or “the mask”), with vibrations behind the teeth/lips, on the cheekbones, and sometimes the forehead and/or nose. The resulting sound is full, not nasally or thin.
A clear, sustained note with a controlled breath and without vibrato. To create a true pure note, everything needs to be in balance. Placement of the note and vowel, diaphragmatic control and vocal cords energized yet relaxed.
A style where the rhythm–and often the pitch–of the tune are usually observed, but the “singing” sounds more like the speaking voice than the singing voice. Notes are often shortened, and the ends of phrases often have a downward inflection, simulating natural English speech. Rex Harrison was a master of this technique and used it in his role in My Fair Lady, among other musicals.
A musical term referring to a musical scale consisting of only 5 basic tones.For example: the five black keys of a keyboard make up a pentatonic scale. Often used in Oriental or Chinese music.
Refers to the breaths or “stops” in between notes. Natural phrasing will include “stops” after all periods, commas, semicolons, or colons. Additional phrasing may be necessary for the singer to take catch breaths or to achieve a certain style. It’s an excellent idea for singers to sit down with sheet music in hand and mark their phrasing before they begin to sing. This helps prevent unexpected losses of breath and awkward phrasing that draws attention to itself.
A mild glissando (sliding from one pitch to another) between two notes for an expressive effect.
Literally “first lady;” the leading woman singer in an opera. Because of the way some have behaved in the past, it often refers to someone who acts in a superior and demanding fashion. The term for the leading man is primo uomo.
The administrator responsible for coordinating the sets, costumes, rehearsal facilities and all physical aspects of a production. Often, the person who negotiates with the various unions representing stage hands, musicians, etc.
The strength of singing whereby the voice is used loudly and clearly so it can be heard by the audience. It commands respect and attention. Also refers to the ability to communicate emotion to the audience, eg. she projects great sadness.
The result of producing sounds of speech and the accepted standard of the sound and syllable.
When a singer starts off at a very high note and drops quickly through the scale down to a very low note in the space of a second or two. Also known as Roulade.
A musical form where the principal theme is repeated several times. The rondo was often used for the final movements of classical sonata form works.
A tune where the melody is sung in two or more voices. After the first voice begins, the next voice starts singing after a couple of measures are played in the preceding voice. All parts repeat continuously.
A termed used by musicians, and sound engineers for reverberation. Usually created by a machine, or mixing desk, it gives the voice more colour, tone and presence. Usually used in studio’s and live performances.
The element of music pertaining to time, played as a grouping of notes into accented and unaccented beats.
An important characteristic of the Romantic period. It is a style where the strict tempo is temporarily abandoned for a more emotional tone.
A range of tones produced in the human voice by the vibrations of the vocal folds. Includes chest voice, head voice and falsetto.
Major and Minor keys that share the same notes in that key. For example: A minor shares the same note as C major.
Held back, slower. Usually more so and also more temporarily than a ritardando. Ritenuto may apply to a single note, unlike ritardando.
A period in history during the 18th and early 19th centuries where the focus shifted from the neoclassical style to an emotional, expressive, and imaginative style.
The amplification of the vibrations that create tone through and within your mouth, throat, sinuses and nasal passages. Large, full resonant tones are desirable in some styles of music but inappropriate in other styles. In musical terms this is known as timbre.
Ability to determine the pitch of a note as it relates to the notes that precede and follow it.
A period in history dating from the 14th to 16th centuries. This period signified the rebirth of music, art, and literature.
A member of the music staff who plays the piano for rehearsals and, if necessary, the piano or harpsichord during performances. They frequently coach singers in their roles and assist with orchestra rehearsals.
A group of chords can create harmonic tension. When this tension is released with a calm chord, or a chord without tension, it is “resolved” and is thus called a resolution.
Using the voice as an instrument. A jazz term referring to a technique where singers use wordless sounds and improvised notes, often imitating jazz instruments. Cleo Laine “doo-be-doo-be-do” is an example of scatting.
A curve over certain note(s) indicating that the respective note(s) are to be played or sung smoothly.
A musical interval between pitches (such as C–D or C–B♭) comprising two semitones or two half steps.
Musical term referring to successive notes of a key or mode that are either ascending or descending in a specific defined pattern.
Literally “a scene;” a dramatic episode which consists of a variety of numbers with a common theme. A typical scena might consist of a recitative, a cavatina and a cabaletta.
Beginning a note beneath it’s pitch, then sliding up to the correct pitch. Scooping was the prominent feature of “crooners” in the 1920s-50s; Bing Crosby, Frank Sinatra, and Perry Como were among the singers famous for this style.
A symbol indicating the pitch of the specific note by 1 semitone.To be above the note When your pitch is too high. (often the result of over-singing) when you can’t hear yourself properly, so you are not in tune.
Made up of five horizontal parallel lines and the spaces between them on which musical notation is written, indicating their pitch or key.
Also means Staff. Made up of five horizontal parallel lines and the spaces between them on which musical notation is written.indicating their pitch or key.
A type of soprano or tenor. Translated, the word literally means “pushed,” and describes a more dramatic, dark sound, and usually a heavier voice.
A combination of two or more staves on which all the notes are vertically aligned and performed simultaneously in differing registers and instruments.
Pertaining to the fugue, the overlapping of the same theme or motif by two or more voices a few beats apart.
To sing or play in a short or detached manner. Each note is separate from the one before and after it. The opposite of Legato.
One who works behind-the-scenes setting up lighting, props, rigging, scenery and special effects for a production.
The retuning of a stringed instrument in order to play notes below the ordinary range of the instrument or to produce an usual tone color.
The ability to look at sheet music and read sing it with near-perfection. Very few singers have this ability. Most professional singers can read music and sight read with at least some accuracy.
Making a sound like an old-fashioned war siren. A vocal technique used to create one voice within the registers, it is used to smooth out breaks, flips and cracks within the voice.
Located at the centre and base of the ribs, the soft part just above the stomach. The centre of diaphragmatic power.
A sequence of songs, perhaps on a single theme, or with texts by one poet, or having continuous narrative.
The various sections of the stage. Left and right are as seen by those on stage, not in the audience. Since many stages are raked, that is higher in back than in front, upstage is at the back and downstage at the front. If an actor stays upstage, all the others have to turn their backs to the audience when speaking to him. This is the origin of the phrase “to upstage someone.”
The one responsible for deciding the interpretation of each character, the movements of the singers on stage, and other things affecting the singers. Is in charge at rehearsals.
The person in charge of the technical aspects of the entire opera, including light changes, sound effects, entrances (even of the conductor) and everything else that happens.
Staggered breathing is a technique used in choirs where there is an extremely long phrase in a piece of music. If it is deemed impossible for each individual singer to get through the phrase without running out of breath, staggered breathing comes into play. This is where singers in the same part take short breaths at different times to their neighbor, to create the illusion that the overall sound created by the choir is one single unbroken line.
Translations of the words being sung, or the actual words if the libretto is in the native language, that are projected on a screen above the stage.
Sustaining is a breathing technique, which allows a vocalist’s sound to stay consistent throughout a phrase. It involves tensing the abdominal muscles around the diaphragm and controlling the air flow as the sound is produced. It is often overlooked outside of classical music, however it is an extremely important technique in any genre if you want your overall tone to sound consistent.
Tablature – A system of notation for stringed instruments. The notes are indicated by the finger positions.
A musical term referring to a curved line over 2 notes that indicates that the note is to be held for the duration specified.
Intonation, pitch and modulation of a piece of music or song, affecting the mood, expression or feel.The quality of your voice that results from the resonance reinforcement of the tone initially produced in your larynx. Every voice has a specific colour, which can be described as warm, dark, light or heavy . Two singers singing exactly the same notes will sound completely different to each other.
Highest male voice with a range from one octave below middle C to the A immediately above middle C.
The most important melody at any specific time in a musical work. There can be one main theme in a work, or many themes.
An operatic technique used mostly, by sopranos. A trill consists of a rapid alternation between two notes, usually a half step or a step apart.
A nasally vocal technique used to achieve a powerful, crisp breathless head voice and to help create one voice. When singing from your head voice and moving into your chest voice.
Sum of relations existing between the tones of a scale or musical system. Can refer to the quality of tones, the sound quality of a note, and also refer to the quality which affect the mood, expression or feelings.
It means texture and defines the average pitch level that most frequently occurs within a given piece. Eg, the song may start low, but if most of the notes are in a higher range, so the song would be described as a high tessitura.
Symbol at the start of a song or music score, indicating the number of beats to a measure or bar.
A sign that indicates the G above middle C, placed on the second line of the staff; Also known as the G clef.
One of 2 or more parts in polyphonic music. Voice refers to instrument parts as well as singing voice parts.Voices can sound distinguishable, even when singing the same pitches. This is down to timbre. You may have a very resonant and deep sounding voice, or a crystal clear and bright voice. Different types of timbres are suitable for different genres of music. While all singers have a different natural timbre, creating new timbres with the help of different registers help give a much bigger variety to a singer’s sound.
A specific resonance structure through which a tone is sustained. Produced primarily by altering the size and shape of the mouth cavity and changing the position of the tongue, which determines how the resonance cavities will reinforce certain frequencies of the initial cord tone. The result of each alteration is a recognizable sound – Ah, Aye, Oh Eh Ee Oo.
A rapidly repeated slight pitch variation during a sustained note, to give a richer and more varied sound.A natural wavering pulsating change of pitch to accent expression in a piece while singing a note. It is usually inadvertent as opposed to a trill. The voice is alternating subtly and very quickly between two different pitches that are very close together. The larynx and diaphragm both play a part in contributing to the vibrations. The best singers have full control over their vibrato and use it to accent certain words or phrases for dramatic or emotional effect.
A low creaky vibration caused by fluttering vocal cords or informally known as the ‘Husky Voice’.
Also known as vocal folds. Elastic bands of muscles found inside the larynx (or voice box), which sits within the windpipe. They are fixed at one end and open and close due to adjustments in tension. As air passes through, it causes them to vibrate producing sound. The change of closure and vibrating length affects the pitch and intensity of your tone.
Anything that helps the singer prepare for a rehearsal or performance. Typically, a warm up consists of vocal exercises, such as running scales. It may also include warming up the body with stretches to relieve tension and help wake the sense, with special emphasis on the jaw, tongue, and lips. The latter may include tongue twisters.
Whole Tone Scale
A musical term referring to a musical scale that consists of only whole-tone notes. This scale only has 6 basic notes.
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